Half a century of iconic festivalmoments in international cinema on Belgian soil. This calls for a special celebration. ArtistCongratz’ cue to make Filmfest Ghent’s image- and soundwizards shine even more this year✨
2023 will enter history as the 50th edition opened by Holly, selected in Venice just last September, and the fifth feature film, directed by Fien Troch.
Once again this Belgian talent makes us watch more closely into the sometimes harsh world youngsters have to deal with.
From 22 November Holly will play in cinemas in Belgium
Be sure not to miss our next post, zooming in on the creative process of Fien and her crew/cast as well as the amazing course of the film so far.
But first we’d like to focus on two other impressive productions.
One is likely to become Oscarnominated in 2024, called “Past Lives”, by Celine Song. This story about childhood sweethearts frozen in time will touch many (broken) hearts.
The other is the first VR experience at Filmfest Ghent. “Floating with spirits” will submerge you into a universe in and out of this world. Created by the Colombian-Belgian director Juanita Onzaga, featuring…her audience.
By placing the viewer in the middle of her film, he becomes part of it.
While she whispers the story as if she doesn’t want to bother the spirits, she makes them dance around, one with nature.
“Floating with Spirits” is an absolute must-experience
Augustijn Vermandere. His name sounds like a clock in Flanders.
With his father being one of our most treasured troubadours, Willems youngest son is making his own way quite successfully as a musician and singersongwriter.
ArtistCongratz is keen to find out more about his latest album Vier, which is West Flemish dialect for “Fire” as well as Dutch for “Celebrate” and “Four”.
So Vier is like Celebrating Four times with Fire!
Augustijn presenting his latest album live at De Grote Post in Ostend
AC: Congratz on your new album Augustijn! Nice opportunity to compare West Flemish and English with you, being a native singer songwriter.
Augustijn: Thanks! Actually I think there are similarities between the two. Being close to England might have something to do with it. Probably also our history of always tending to adapt ourselves. Belgians in general, West Flemings even more.
So it seems rather logic that foreign words pop up in our dialects. Mostly in spoken language.
I actually read that the whole coastal area of Europe has more English sounding words in their vocabulary than the inland area does. So I guess we must be connected somehow.
How do you come across this “phenomenon” while writing lyrics ?
On my new album, there’s this song called Bucketlist. An English word but often used here as well. Searching for a West Flemish “translation”, there seemed to be no good alternative.
I realised that “bucket list” actually sounds really Flemish. So I used it.
AC: How about Bulldozer 🎶
Augustijn: (laughs) indeed, another English word incorporated in Belgium. And Vier…
Nice talk in Augustijn’s hometown Ostend
AC: Any plans to cross our borders?
Augustijn: It’s not really my ambition but you never know… Icelanders also have a very strange sounding language practically no one else understands. But no one seems to mind that in the rest of Europe. People like it eventhough no one understands. Why should West Flemish be any different (laughs).
Augustijn rocks 🎸🥁
AC: The song Steenkerke on Vier bathes in pure nostalgia…
Augustijn: A little village, there’s nothing there but still it’s my whole world. At least it used to be as a kid. This is a nostalgic song sung by my five year old self about the place I grew up in. Near historic monuments that go back to World War I. Like a military cemetery, where both English en Belgian soldiers are buried. This was one of our favourite places where we used to play a lot. There’s this beautiful lawn. Always very quiet…
AC: You also sing about catching sticklebacks in the canal with a “seule”. And in your album’s artwork we can actually see pictures of you as a toddler. Were you already into music back then?
Augustijn: They bought me a violin when I was four years old but I don’t recall playing it (laughs). But music was always present in the house in many forms with instruments all around. I started by some piano and guitar…
By the way a “seule” is actually a bucket where we would collect the fish in.
AC: Great, one more West-Flemish word learnt, to check off on our… bucket-list.
🎵🎶🔥4️⃣🥳 open call; find out which song refers to epic lyrics written by Augustijn’s father Willem 🛣
During but also in between interviews ArtistCongratz likes to share star quality in all forms, shapes and sizes. From stages with views to stadiums to queue.
Let’s focus on who your editor saw shining these past few weeks: From gloring young new talent to poetic mega-stars in mediastorms.
King Baudoin Stadium 🏟 August 4th, 2023; Rammstein lands along with piano duo Abélard 🎹 playing their own Sonne-version ☀️🌞see video 2 👇Abelard introducing Rammsteins Sonne by AbelardWhat are the odds? On my way to join my friends in the audience, coming across this member of an Estonian rockband, seeking promotion 🎶✍️Www.californiacondormusic.comtania_gh_ram 🎶mstein-Kick off The King Baudoin-stadium turns into a smokey music factory
But before this hard core poetry from Germany we witnessed somewhat softer kinds in Ostend at the annual coastfestival Theater Aan Zee 🌊 🎭🎵
Helena Casella in concert at “Theater Aan Zee 2023” in Cafékoer Ostend Funky soul by Helena Casella🎤⬇️⤵️
Theater Aan Zee is like a cross road where shores, music & theatre meet through all kinds of art. How about this universal tale that tells the moving story of… human sheep in between worlds.⤵️
The Sheep Song, a mustsee cross over play produced by Toneelhuis & FC-Bergman, a Belgian company which received a Silver Lion at Venice Biennale just last June https://www.toneelhuis.be/en/⤵️Or this production 4.48 by The Roovers outside at sunset
3’Ain! عينWhere west joins east in sea(s) of stories. Narrated by a jazztrio on point.
(Re)discover our interviewee Piet Maris (accordion), founder of Jaune Toujours and 3’Ain, surrounded by his fellow-bandmembers Otto Kint (double bass) and Yamen Martini (trumpet) -picture by Diana Takcsova-
“Reversed three”
AC: Very important first question! Inspired by the eighteenth letter of the arabic alphabet, how do you pronounce the name of your newest band ? عين Because reportedly for western people it seems almost impossible to pronounce…
Piet: (laughs) Actually that’s what Wikipedia says, it’s more of a story than a reality. I played in a trio before with a Syrian cello player. Really eager to do something similar, I wanted to continue in a trio formula.Searching for a name, I really wanted it to refer to us as a trio and to our cultural bagage. Including our middle eastern influences through Yamen.
So I came up with this character as a reversed three, which is actually some sort of sign: عين
In Arabic chat and sms conversation , the AIN is often represented by a 3, sometimes explicitly mentioned as 3ain. So here comes in this 3 AIN.
Piet Maris
That was a good starting point for me. You should pronounce it a bit in the back of the throat.Ch ain, Three like in English, ein like in German if you want…:)
AC: Makes you wonder how does that go when announced on stage?
Piet: They always ask the question, how do we pronounce it? Actually it’s not so hard but it creates a story indeed. Although I wasn’t aware of that in the very beginning.
“Instant click”
AC: You met Yamen while making music for a play?
Piet: We actually met amidst the asylum crisis of 2016. Yamen had arrived in Belgium earlier but at some sort of manifestation, making a solidarity demo for refugees, we were kind of put together as musicians. “You will blend well” they said. Luckily we actually did;).
We instantly clicked. From that moment on, I started to involve him in my on going projects. Like this very special one in Mortsel. Initiated by Caroline Rottier. She’s a theatre maker, known for her inclusive work. In which she also involves people with disabilities. She asked me to do the music for this piece called “Move”. About people on the move. A very nice play and open project, offering a lot of artistic freedom.
We rehearsed with the actors. At first just me as a musician, to get the inspiration. At a certain point I pulled in Yamen, and the other cello-player to collaborate. This was our first creation together.
“Scrambled Ensor”
AC: Sounds really cool indeed. But so does your working space where 3’Ain gets inspired by all kinds of boats passing by… 🛥🚢⛴🛳
Piet: We have this huge privilege to be able to rehearse in the port of Ostend, in the quarters of a social artistic work place called O666, at the site of Fort Napoleon. (Picture by Diana Takacsova)
Being one of the very few places over there with a very ancient character to it, quite the contrast with all those posh new built projects in the neighbourhood.
It has a recording studio, which we use as a rehearsing room. It happens to have a big window with a magnificent view to the boats passing by.
Like the BZ189🎶🛥, spotted while looking outside pretty randomly: which-boat-is-here? Songs, titles and tracks are born here. This is where our first EP was made. Clearly 🙂
Piet: Sea of Stories, our recent album, still contains references to the sea but less literally. For instance, there is a song called: Scrambled Ensor.
AC: Great title.
Piet: Actually we didn’t invent it ourselves. During a livestream in confinement, playing some sort of première of the song, we asked our virtual audience to come up with a title.
Everyone had a strong souvenir of the period you weren’t allowed to go the seaside etc. Possibly they were inspired by former works of us. Explaining why the Ostend-reference is still there.
Piet Maris
“Exchange between cultures”
AC: 3’Ain tends to reach a large audience ?
Piet: I also find it very charming to see a punkrock band in concert. They tend to reach a more specific audience. But a lot of music is broading up these days. I like to keep the music accessible in all my projects. Always seeking common ground. For 3‘Ain, in different fields of western music, going in dialogue with middle eastern traditions.
Nor me, nor the bass player Otto, are very familiar with all those traditions. In that way Yamen is facilitating our exchange between cultures.
Our song “Meeting Issues” represents his feeling of being “wired”, how hard it is missing his family all over the world…
ArtistCongratz’ cue to make y’all experience this narrative sound of 3’Ain in even more intriguing titles like Tango Soleil du Nord🎶 Listen below 🤳👇
Want to experience Sea of Stories by 3’Ain live? Go see this trio in concert coming 🔜 all over Belgium⬇️
September 9th: Sjruur, Maaseik
October 24th: Entr (De Centrale), Gent
January 14th: Jazzy Sunday (Leietheater), Deinze
January 19th: Cinéma Le Parc (Les Grignoux), Luik (Liège)
Have a field day at ArtistCongratz ! Inside a legendary studio.
Did you know that one of our most sollicited Belgian record studio’s is owned and directed by Patrick Hamilton in the lovely town of Bruges? Join us following heartbeats of music industry, blogging and vlogging on holy production-ground.
Patrick in his studio (picture by Jan Dharthet)
Over the years (nineties and nillies), Patricks studio became the center of attention for a lot of national artists. That is still very much the case to this day.
But the bigger picture lay ahead. Patricks ability and talent to also lift up music talent worldwide did not go unnoticed.
His international career as a producer took off about a decade ago.
Patrick: I had a manager in Nashville. It kind of bothered him that I was never available because of numerous national projects. But once I came across some major international A & R-folks on a yacht in the south of France, I quickly left my Flemish way of thinking. The time had come to leave my comfort zone.
The first international artist I came across was Mark Masri. When he was nominated the Juno Award for Best album in Canada, Universal England seemed interested. I thought they were signing the artist I produced, but actually it was me who ended up working with one of the biggest names in the UK.
Considered an almost unreachable star, Katherine Jenkins would become one of the first to perform the new anthem “God save the King”. So you can imagine I was honoured to be able to work with her.
Working with Katherine
I studied classical music at the conservatory in Ghent, so technically I was able to do arrangements for big orchestra. Although I had never done it before, I felt I could do it.
Honoured as “Officer of the British Empire” Katherine Jenkins is a neo classic cross-over singer, who’s style can be compared to Andrea Bocelli’s. She has her own television program on BBC, called “Songs of Praise”.
In December Patrick was invited to perform with her, his quatre mains-compagnon Nel Swerts & Sir Cliff Richard in the Royal Albert Hall in London.
With his « 4-mains-companion » Nel Swerts 🎹🎹
AC: How often are you in your studio? Patrick: During COVID, I was here all the time. Just a few days before the lockdown, I had finished an album with Katherine. I needed a vacation because of the hard work but it turned out to be a holiday of two years. Literally locked into my studio, I could have layed down and got depressed. But that’s not really my nature. So I took it as an opportunity.
There was nothing else to do. I started with some solo piano music.
AC: Some extra time as a gift for your inspiration and development as a songwriter?
Patrick: I think it was a twist of fate. Into a new world. Suddenly I found myself to be an artist you can find on Spotify. Before I was a producer. You could find a lot of my music but not my name. That has changed during Corona.
AC: Should a producer not be considered as an artist as well?Patrick: Combining producing and songwriting opens the door to all kinds of connections.
But you are right, the producer is definitely part of the artistic process of an artist. How the songs are born, how you’re colouring them as a producer, is like picturing a painting.
You have all the ingredients but then you have to combine them in all the right ways. There are so many different ones to approach a production. You might want it to sound big, like music played in a hall. Or very intimate in a small room. Both require very different approaches.
Overall mine is to follow your guts. Trying to make the best production possible. That’s how I say see it.
AC: Pushing all the right buttons you showed us on the tour trough your studio. (Soon to be published on our TikTok-account)
Patrick is quite happy working in the shades. Iworked with so many famous people that can’t walk on the streets. Recognition has two meanings. You can get bothered that people recognise your face. Them being aware of your work is so much more important.
But once connected with music-executives like Martin Dodd and Ricardo Fernandez, working with Britney Spears and The Back Street Boys among others, Patricks career as a songwriter and producer took an international turn. Holding over 27 million streams (on Spotify only) of his songs combined, this goes way beyond his expectations. Patrick: I was hoping to get one million streams one day (laughs).
Do you feel you have developed your own trade mart as a producer?
Patrick: I hope so, as I mentioned: You can’t put me in one basket. Hopping from genre to genre. But some people recognise kind of a trade mart in my productions. That’s a huge compliment.
Patrick celebrated his 60th birthday with a special concert in Bruges.
And a stunning biography (In Dutch), full of tales like these.
Belgium’s lucky number 7’s now have three countries to pick from for their next vacation(s). Or go conquer stages of the nations who granted us 12 points.
Doing a marvellous job on the iconic one in Liverpool. Sacred ground for ever found. Congratz Gustaph & Cie, you did great! The song Because of You will go full circle.
Seems we are headed to even holier Eurovision ground next year.
Thanks to Loreen and her lyrical Tattoo 🎵. Leaving Finland runner up. Cha cha cha cha cha cha…🎵catchy though Käärija!🇫🇮
The lady with the toughest nails and shortest aria’s manages to break through ceilings allright. The “staged” and a glass one, being the first woman to win the Eurovision Song Contest twice. In 2012, she felt « Euphoria » for the first time in Baku, Azerbedjan.
ₜₐₜₜₒₒ ₜᵣᵢᵤₘₚₕ, ᵥᵢₙₜₐgₑ ₘₑₑₜₛ fᵤₜᵤᵣₑ
2024 celebrates the 50th anniversary of ABBA’s winning “Waterloo”, which is in…Belgium 🇧🇪
Let’s try again and go full circle. Maybe with “a mighty masked singer”👸🏼who won ESC for us 37 years ago. Since her 1986-triumph, an adorable teenager with a pink bow and a life-loving Eurosong has transformed into a « Queen »
How about it Sandra, dear? Loreen, Johnny and…you ?🎀
ArtistCongratZ
Throwback to 1986🎤Sandra Kim in the Norwegian Town of Bergen.
Tonight around midnight lies the moment of truth. Will our Gustaph conquer that so wanted Eurovision Trophy?
37 years after Sandra Kim and her « J’aime La Vie », a EURO-Song equally vibrant deserves to win.
ArtistCongratz could name numerous reasons why your 12 points should go to Belgium but the most important ones are the message of this ultimate Eurovision song 🎵 and the amazing track record of the performing songwriter and producer Stef Caers aka Gustaph. Hardly eleven years old he had already written 30 songs.
In 2000, I got the chance to interview this multi talent for the very first time for Sabam-magazine. And already there seemed to be something about him that “oracled” us to this day. 23 years later he just might help Belgium to that second victory in Eurovision history.
Throwback Gustaph aka Stef, to 2000, pic by M. Drofmans, still looking as awesome
But first things first, since we are not allowed to vote for our own country here’s ArtistCongratz yearly attempt to predict🔮 which country takes that beautiful crystal trophy home.
Here’s AC’s top 5️⃣
1. Belgium 🇧🇪 (sorry, not sorry;)
2. France 🇫🇷
3. Austria 🇦🇹
4. Sweden 🇸🇪
5. Poland 🇵🇱
OR 😉
1) Belgium 🇧🇪
2) Finland 🇫🇮 & Australia 🇦🇺 in ex aequo
3) Sweden 🇸🇪 & Israel 🇮🇱 ex aequo
4) Poland 🇵🇱
5) France 🇫🇷
But World, by all means do save all your 12 points for number 1️⃣6️⃣🇧🇪!!!
Thank you🇬🇧🇦🇺🇺🇸, Grazie🇮🇹Gracias🇪🇸, Obrigado 🇵🇹çox sağ ol🇦🇲, ευχαριστώ 🇬🇷, Teşekkürler🇹🇷, Tack🇸🇪, tak skal du have 🇩🇰, Kiitos 🇫🇮, Takk skal du ha 🇳🇴, Danke 🇩🇪, շնորհակալություն🇦🇲, Дякую 🇺🇦, Dank U Noorderburen 🇳🇱, Merci La Grande Franceeeee 🎵🇫🇷!!!
Because of youhou 🎵🎵🇧🇪
These Fab Four + one fabulous Vogue-dancer, nicely pictured by Charel Cambré. He is one of our most famous Belgian cartoonists but he’s also Mister Chantal Kashala, the lady in between her backing vocalist colleagues Monique Harcum and Sandrine Vanhandenhoven
Yep, it’s that time of the year again. Love it or leave it but by all means live it if you like !
Europe, Australia, even parts of Asia and the Middle East manage to unite in music every year around mid May. 2023 has all eyes and ears 🔛Liverpool ▶️🎵
So go for it contestants 🎵
BUT… ArtistCongratz has one special request⤵️
EUROPE, do save tonight’s votes for a very special candidate 🇧🇪.
Here are 7 undeniable reasons why you should vote Belgium into the finals TONIGHT⬇️⬇️⬇️⬇️⬇️
1. BECAUSE OF the irresistible, inspirational, beyond professional ARTIST Gustaph aka Stef Caers, who worked his way from back to front slowly but surely, so well deserved 🎤🎼💪✍️
2. BECAUSE OF Gustaphs undeniable taste in fashion🕺💃. #waltervanbeirendonck
3. BECAUSE OF the spot-on-lyrics of the sing-a-long to become evergreen, written by Gustaph himself and multi-talented artist Jaouad Alloul
4. BECAUSE OF the undeniable starquality of ECS’s most quirky “back-to-front-vocals” Monique Harcum, Chantal Kashala, Sandrine Van Handenhoven and Gustaph of course
5. BECAUSE Belgium deserves MORE Eurosong kings and queens along Sandra Kim, who won 37(!) years ago
6. BECAUSE of the great story behind the scenes, telling all of us that it’s never too late for break through!
7. BECAUSE OF (all of) YOU!!!
From ArtistCongratz to Gustaph & his entire dreamteam: go go go and get qualified for this Saturday’s finals ! Your blog host, Gustaph style xxx
In January, Congratz were in order for a female winner of a prestigious Belgian Award for best musician.
Attend a Brutus-concert and you’ll instantly experience why this honour fell to their drummer and vocalist Stefanie Mannaerts. Equally well deserved by Peter Mulders and Stijn Van Hoegaerden, who’s roaring bass & guitars complete the magical Brutus-sound. Post hardcore at its finest.
ArtistCongratz had a chat with all three band-members. Just returned from France, they landed back home on March 25th, in the colourful town of Bruges. Where Cactus Club would become another highlight of their latest tour through Europe.
Enjoy a close up of a close band and their new album, called “Unison Life”, which was presented in Ancienne Belgique late last year.
Brutus, Picture by Eva Vlonk
AC: I interviewed you guys once before, the early Brutus-years, way back in 2014. Would or could you have imagined then that Brutus would be playing sold out concerts worldwide?
Stefanie: You dream about it when you’re sixteen. And you hope that’s what you’re going to do. But you never think it will actually happen.
AC: Did you notice some kind of turning point along the way?
Stefanie: I realized something when we did a European tour when the venues went from twentyfive people to sometimes seven-hundred. But we didn’t wake up one day, feeling bigger than yesterday.
Tourmanagement takes you to all the right spots…
Stefanie: The booker we work with, has been around since 2016. We really work well together. I think he understands who we are and we understand his vision.
Left to right: Stijn, Stefanie & Peter, pic by Eva Vlonk
AC: Do you feel you have been able to maintain enough artistic freedom?
Stefanie: With everyone we work, to be honest. I think if somebody would come and say, “you can never do this again”, we would reply: “OK, but you won’t ever do THIS again.” (laughs)
It’s ok, I get that sometimes it’s about strategy, but WE are all about the music. If someone would try to talk us into another course we would have question marks.
AC: Tell us about Unison Life, how it came to life, creating in confinement.
Peter: The previous album (Burst– 2018) was written during touring. But due to Covid, we had much more time for this one. We had no idea when the album would come out or when we would be touring again…
Stijn: That definitely had an impact on how the songs were written. We had the time, so we also took it as an opportunity to go more in depth, from song to song. If we finished a track, we came to a certain point where we asked ourselves: “Is there anything else we can do ? Can we try different stuff? So we took it a lot further and went deeper for each and every song.
AC: Playing such a new song for the first time, must feel amazing…
Stijn: When a song comes to life, that’s one of the most beautiful things in the world indeed. Especially if you can do this with two people that you love and trust, and like to play music with. For me that’s like… every time we write songs. Sometimes it works, sometimes it doesn’t but when it works it feels amazing.
AC: Do you have some kind of indicator which songs will be spot on?
Stijn: Maybe not to the outside world, but for us yes. There have been a couple of songs, written in the past, where we instantly felt the right kind of energy in the room.
AC: ArtistCongratz has a soft spot for Sugar Dragon.
Stefanie: Sugar Dragon came to life when we were on tour a lot. I had some troubles with my boyfriend but he was not the problem. So it’s a bit of a tribute to him. But Peter and Stijn could also relate to the song. Because we all went through the same thing. They didn’t have troubles with their girlfriends but the missing part, being away and longing for somebody makes it a direct ode to a loved one. So that’s what Sugar Dragon is all about. Plus it’s literally the translation of a nickname that my boyfriend has in Dutch. (ed. note Stephanies boyfriend is Stake-drummer Joris Casier, his band will be playing live in Cactus Bruges on April 15th)
(Suikerdraak? 😉Sugardragon comes from your previous album but we also want to know what triggered the new one.
Stefanie: Referring to your previous question, how to feel you wrote something special. We felt it with “What have we done?” It’s not that it’s better than other songs. It’s just all about the right time, the right notes, the right words. It came to life unforced. It’s the same as why some days are more special than others in life. You don’t know, maybe it’s because you met somebody or the sun was shining…It came from some genuine place…How it’s like to be in a band.
“War”, another Brutus-Song was used in Tom Clancy’s Rainbow Six Siege video game:
Peter: The producer of the game happened to be a fan. So we made it happen.
AC: Last Summer Brutus was invited as support act for none other than…the Foo Fighters, but unfortunately their drummer Taylor Hawkins passed away, so it was cancelled. But it probably won’t be long before you will get another invitation of that kind?
Stefanie: We will be waiting by the phone (laughs)
On top of Brutus’ wishlist:
“Definitely make some more records as a band”
“To do a tour with a cool band or a recording session or an EP with someone completely different”
“Other stuff would be nice but we will always prioritise records”
“Making more songs, better songs, songs that touch people, songs that people can relate to”
“Write music, play a lot, as much as possible”
AC: There aren’t many female singing drummers. The only ones we could come up with were Karen Carpenter and Sheila E.
Stephanie: There are The Corrs as well, but you will find a lot of drumming backing vocals.
The only reason I’m singing now is because Stijn bought me a microphone. (laughs)
AC: If you hadn’t done that, we would have missed this magical Brutus-combination.
Stijn: I would have found another way to make Stefanie sing…Somebody asked me lately after the show: Why didn’t YOU start singing? Then we would not be having this conversation. (laughs)
Every song we make, always involves the three of us.
Stefanie Mannaerts
It always contains something of each and everyone of us. Those different kinds of influences make it fun. We try to put a lot of things into one song.
Want to catch Brutus live? In May they will also be touring in the U.S.
Picture Eva Vlonk
Closer to home, they can also be found in the line ups of legendary festivals as Pinkpop in The Netherlands. This Sunday they will be playing at Paaspop at Schijndel, also in The Netherlands.
Want to catch them in their homecountry Belgium, before they are headed to the US? They play at Durbuy Rock Festival on May the 13th.
AC: We came across another friendly band in the past, Slow Crush is also very successfulinternationally…
Stijn: Oh yes we know them very well actually… we follow each other.
AC: They are also famous for inventing their very own unique fuzz-pedal called Glow-Fuzz.
Peter: Yes indeed, it’s very cool. We want to do that too 🎵
Stijn: Actually I expect Jelle (Slow Crush guitar player) to send us one… (laughs)
Ed. Note: Fuzz pedals are a popular type of guitar effects pedal that use transistor technology to produce a distorted, fuzzy sound.) Read more about it in our previous blogpost ⤵️,
Slow Crush will also be playing in Bruges Cactus club on July 7th.
Spring has arrived ! ArtistCongratz’ cue to treat you to some early summer vibes with a Latin-Belgian twist 🇪🇸🇧🇪
This band juggles its way to the hearts of people AND their dancing shoes. 🕺
To captivate a crowd is right up the alley of five stagelovers, who call themselves “Rumbaristas”. Their brandnew album, just a few weeks old, is called “Malabares”, which is Spanish for jugglers.
ArtistCongratz had an inspiring chat with bandmembers Willy Fuego and Roel Poriau at AB-club, right after Rumbaristas swept the audience of their feet in a swirling showcase 🎶🎺🥁🎤
AC: Congratz on the new album! How does it feel to finally share your songs with the world?
Roel: It feels great. The last three years, we put a lot of work and effort in it. During the Covid era, we have been working a long time on all the new songs.
AC: Was it like a benefit of confinement, having more freedom and time to write?
Roel: In a way yes but because we really are a live band, we also missed playing in front of a live audience. Being able to do that now, along with all the good vibes and people dancing to the songs is really a nice reward for all the work on Malabares.
Back then, we had some 20 to 30 tracks ready to record but when we sat together with our producer, some of the tracks turned out to be too dark. Covered in Covid darkness, let’s say.We really want to keep a balance between happy and slightly darker songs. Tonight was all about party though. People dancing on our music is the greatest reward.
RUMBARISTAS 🎶🎼
AC: Playing the songs for the very first time, must be special indeed
Roel: There were a few concerts before this one. Two weeks ago we played in Granada and soon we will also be playing again in Belgium, Serbia and Bulgaria. Probably Holland too…
AC: Maybe some colourful festivals as well, like TAZ or Dranouter…
Roel: By all means, we have a few big ones on our wishlist.Couleur Café and Sfinx are some of the best world music festivals.Hungary’s sziget fesztivál is also very nice.Dranouter, we played before, but we would like to return. Theater Aan Zee? Good idea, this could also be a match with Rumbaristas.
AC: Back to Malabares, which means juggling…With words? Music, genres, each other? (Laughs) Where did the idea come from?
Willy: In Spain the people use the word juggle when they struggle to keep on going. When they cope, the people do “malabares”.
Roel: We also shot an extraordinary video, made by Willy and Joan Garriga. Made in Barcelona, it’s about a mother who also has to juggle to make ends meet. She’s struggling to make a living, for her son too.
AC: Any favouritetracks on the album? Or does that feel like choosing between your babies?
Willy: All the songs capture one particular moment of feelings. Happiness, nostalgia…
“But we do have a special bond with one song in particular, actually. It’s called “La Vida es Bella”In a way, this song has it all.
Willy Fuego
Roel: This was a collaboration with Amparo Sánchez also known as Amparanoia.(ed.note: Amparanoia is the stage name of Spanish singer/guitarist Amparo Sánchez who combines her first name with the word ‘paranoia’. Willy also played in her band for a long time.
A lot of different things come together in that record. It’s danceable, it has a latin vibe, nice rhythm, trumpets…And it contains the melancholy that Willy often has in his songs.
AC: How did you all meet?
Roel: I met Thomas, the trumpet-player, first. I was working with him, for “l’orchestre International du Vetex”Willy was playing with Amparo Sanchez while in Belgium. We did a kind of jam together in Tournai, where her manager lives. The three of us started to play. Which felt really great. Of course we needed a bass player. I invited Thomas, with whom I played in Think Of One before.
About Rumabaristas creative process:
Roel: For this album, we really worked more collectively, but most of the time, Willy will start a song. Sometimes with a rhythm track I already created. Or on his own. Then we start working with that. Looking for the right groove, Tomasino will write the melodies while we come up with lyrics in different languages. Willy has also found a way to leave a lot of things open, so we can fill it in.
Want to catch this band live?
In May Rumbaristas starts touring again.
Rumbaristas, not your typical Belgian band, besides welcomed on stages abroad, they are also breaking through our national language borders. They can be found both on stages in the northern as well as the southern part of Belgium. Gigs in Tournai, Namur (in a monastery) are coming up.
The band succeeds to mesmerize young to older audiences, in different places. Including the iconic AB-club, one of the best venues for sound.
The band also presented their first album here.
Roel: It’s very difficult to find a venue that has all the qualities of AB. Every musician and/or band knows this, good technicians, great acoustics.
Other music temples On Rumbaristas’ wishlist are: Paradiso and Apolo club Barcelona. Spread the word ! And the music of course.
Pictures by Anthony Henry
Backstage at 🆎 Ancienne Belgique, with bandmembers Roel, Willy and their producer (picture by Griet De Blende)
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